For the 2023 ESPYS nomination broadcast, I collaborated with a senior motion designer to develop a full motion graphic header system. Together, we created four distinct type animation styles to bring energy and rhythm to the athlete introductions.

I was responsible for two of the core animation directions. A key learning from this project was how to modularize and scale animation for editorial teams.

I built my After Effects files with dynamic layer structures and Essential Graphics panels, allowing editors to easily swap names and reuse animations across multiple nominees. This approach enabled rapid delivery at scale without sacrificing design fidelity.

Role-
Lead motion Designer
2D shape motion Designer

Software-
After Effects